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Anime Market: By Genre, By End User, By Distribution Channel, Others) and Region Forecast 2020-2031
Anime Market: By Genre, By End User, By Distribution Channel, Others) and Region Forecast 2020-2031
Anime Market size was valued at US$ 34,150.0 million in 2024 and and is expected to reach US$ 64,873.1 million by 2031, growing at a significant CAGR of 9.2% from 2025-2031. Moreover, the U.S market is projected to grow at a CAGR of 9.5% over the forecast period. The market refers to the global industry encompassing the creation, distribution, and commercialization of Japanese animated content, including television series, films, streaming media, merchandise, and related services. It integrates both entertainment and consumer product segments, making it a cultural and commercial ecosystem with wide international appeal.
The market is experiencing strong global momentum, fueled by digital consumption trends, growing cultural influence, and franchise-based revenue models. It is supported by the rise of dedicated streaming services, the integration of anime content into global pop culture, and strong fan-driven demand for collectibles and licensed products. As a result, the market continues to expand its footprint beyond Japan, emerging as a multi-billion-dollar industry with sustained growth potential.
Based on the genre
The Action/Adventure genre is anticipated to be the leading driver of the anime market due to its consistent global appeal and high engagement levels among audiences. This genre combines dynamic storytelling, visually compelling sequences, and immersive world-building, which attract both domestic and international viewers. Platforms such as Crunchyroll, Netflix, and Amazon Prime frequently prioritize Action/Adventure titles, increasing accessibility and viewership. Additionally, the genre’s adaptability for cross-media extensions including films, video games, and merchandise further strengthens its market influence. The sustained popularity of franchises like One Piece and Attack on Titan exemplifies its significant contribution to market growth.
Based on the end user
Among end-user segments, young adults are anticipated to be the leading driver of the anime market. This demographic demonstrates strong engagement with diverse anime genres, ranging from Action/Adventure to Fantasy and Romance, and is highly active on streaming platforms such as Crunchyroll, Netflix, and Amazon Prime. Young adults often participate in fandom activities, conventions, and merchandise purchases, contributing significantly to both viewership and revenue streams. Their digital-savvy behavior, combined with disposable income, enables the expansion of subscription-based services and cross-media franchise opportunities. This segment’s influence continues to shape content creation, marketing strategies, and global anime consumption trends.
Based on the distribution channel
Online streaming platforms (OTT) are anticipated to be the leading driver of the anime market, revolutionizing content accessibility and global reach. Platforms such as Netflix, Crunchyroll, Amazon Prime, and Disney+ offer extensive anime catalogs, including exclusive series and simulcasts, attracting diverse international audiences. The convenience of on-demand viewing, multilingual subtitles, and dubbing options enhances user engagement across age groups. OTT platforms also facilitate cross-promotional activities, merchandise tie-ins, and franchise expansions, generating multiple revenue streams. The growing subscription-based model and the ability to track viewer preferences enable targeted content creation, making online streaming the dominant distribution channel driving market growth.
Study Period
2025-2031Base Year
2024CAGR
9.2%Largest Market
Asia-PacificFastest Growing Market
North-America
A major driver of the anime market is the growing availability of anime content on global streaming platforms such as Netflix, Crunchyroll, Amazon Prime, and Disney+. These platforms have transformed accessibility, allowing international audiences to engage with anime without geographical or language barriers. Subtitles, dubbing, and localized marketing have made anime more approachable for diverse cultural groups. The inclusion of popular anime titles in streaming catalogs has also created new fan bases in regions where anime previously had limited penetration. Additionally, platforms invest in exclusive anime productions, further boosting demand. This widespread digital distribution has expanded revenue opportunities beyond Japan, reinforcing anime as a global mainstream entertainment form. The integration of anime into recommendation algorithms, user-friendly interfaces, and cross-device streaming has further enhanced user engagement. As a result, the anime industry benefits from continuous growth in viewership, higher licensing revenues, and a stronger international footprint.
One of the major restraints for the market is the high production cost and resource-intensive nature of anime creation. Producing a high-quality anime series requires significant investment in skilled animators, advanced technology, voice acting, and post-production. The process is labour-intensive, and many studios face financial strain, especially when operating on limited budgets. Smaller studios often struggle to compete with large, well-funded companies, leading to creative compromises or delays. Moreover, the industry is frequently criticized for overworking animators, resulting in workforce burnout and talent shortages. Rising production costs are not always matched by proportional returns, particularly when anime is released on free or low-cost platforms where monetization opportunities are restricted. Piracy also undermines profitability, further aggravating the financial challenges. These limitations can hinder innovation and slow down the release of new titles. Thus, while global demand continues to rise, the sustainability of anime production remains a pressing industry challenge.
The market holds immense opportunity in the growing global demand for merchandise, collectibles, and licensed products. Beyond on-screen entertainment, anime has established itself as a lifestyle and cultural identity, with fans actively seeking apparel, accessories, toys, and themed products. Major global brands are increasingly collaborating with anime franchises to release co-branded merchandise, extending anime’s cultural reach into mainstream fashion, retail, and consumer goods. For example, anime-inspired sneakers, apparel collections, and figurines have gained popularity in international markets, creating additional revenue streams for studios and licensing companies. Events such as Comic-Con, Anime Expo, and global fan festivals amplify these opportunities by enabling direct interaction with consumers and showcasing exclusive products. E-commerce platforms also fuel merchandise sales by making products available worldwide. With rising fandom and collector culture, licensing and merchandise represent a highly profitable frontier, offering long-term scalability and diversification for the anime industry.
A significant trend in the market is the integration of anime into global pop culture and cross-media platforms. Anime-inspired themes are now visible in music videos, fashion, video games, and even Hollywood adaptations. This cross-cultural influence has positioned anime as a mainstream entertainment form rather than a niche genre. Social media platforms such as TikTok, Instagram, and YouTube have accelerated this trend by enabling global fan communities to create and share anime-related content, driving viral popularity. Gaming companies increasingly collaborate with anime franchises for character crossovers, while streaming platforms commission anime adaptations of popular games and novels. Additionally, anime aesthetics influence global art, advertising, and even celebrity endorsements, reinforcing its status in pop culture. This trend not only strengthens brand value but also ensures long-term sustainability as anime continues to inspire creativity across multiple industries. The fusion of anime with other entertainment ecosystems makes it a cultural phenomenon with enduring global relevance.
Fastest Growing/ Emerging Region: North America is projected to be the fastest-growing region in the anime market, fueled by the rapid expansion of streaming platforms and rising consumer demand for anime content. The availability of extensive anime catalogs on Netflix, Crunchyroll, Hulu, and Amazon Prime has significantly increased accessibility for Western audiences. A strong driver for this growth is the deep cultural integration of anime into U.S. entertainment, with collaborations across gaming, music, and fashion sectors.
For example, anime-inspired collaborations with brands like Adidas and partnerships with gaming franchises have expanded consumer reach. A notable trend supporting this growth is the surge of anime conventions such as Anime Expo, which attract hundreds of thousands of attendees annually, highlighting the cultural penetration of anime in the region. With rising fan engagement, dedicated merchandise demand, and streaming-led expansion, North America is emerging as the most dynamic growth frontier in the global anime industry.
Largest Share of the Region: Asia-Pacific, particularly Japan, is anticipated to hold the largest share of the anime market due to its status as the birthplace and creative hub of anime production. Japan remains the global center for studios, voice acting talent, and original content development, supported by strong domestic demand and government-backed cultural promotion initiatives. The presence of renowned companies such as Toei Animation, Studio Ghibli, and Bandai Namco further consolidates the region’s dominance. A major driver for Asia-Pacific’s leadership is the mature ecosystem combining television broadcasting, theatrical releases, streaming platforms, and merchandise distribution.
Additionally, anime tourism, fan conventions, and cultural export strategies strengthen its global positioning. A key trend reinforcing Asia-Pacific’s share is the continued international licensing of Japanese anime to platforms such as Crunchyroll, Netflix, and Disney+, ensuring sustained global influence. This combination of rich production capability and international demand positions Asia-Pacific as the industry’s long-standing market leader.
Latin America
Europe
Asia Pacific
Middle East
North America
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Report Benchmarks |
Details |
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Report Study Period |
2025-2031 |
|
Market Size in 2024 |
US$ 34,150.0 million |
|
Market Size in 2031 |
US$ 64,873.1 million |
|
Market CAGR |
9.2% |
|
By Genre |
|
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By End User |
|
|
By Distribution Channel |
|
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By Region |
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According to PBI Analyst, the global anime market has evolved into a dynamic and multi-billion-dollar industry, driven by increasing international demand, digital streaming, and merchandise sales. Originating from Japan, anime has expanded its reach through television broadcasts, theatrical releases, and online streaming platforms, attracting a diverse audience across children, teenagers, young adults, and adults. Genres such as Action/Adventure, Fantasy, and Romance continue to dominate viewership, while cross-media collaborations with gaming, fashion, and consumer products amplify revenue streams. Rising global fandom, cultural integration, and technological advancements in animation production are sustaining market growth, positioning anime as both a cultural phenomenon and a lucrative entertainment sector worldwide.
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Anime Market size was valued at US$ 34,150.0 million in 2024 and and is expected to reach US$ 64,873.1 million by 2031, growing at a significant CAGR of 9.2% from 2025-2031.
The anime market refers to the commercial sector focused on the creation, distribution, and monetization of Japanese animated content across television, films, streaming platforms, and merchandise. It encompasses both domestic and international audiences.
Asia-Pacific, particularly Japan, holds the largest market share due to its established studios, cultural origin, and strong domestic and international consumption.
Key growth drivers include the rising global popularity of streaming platforms, increased accessibility of anime content internationally, merchandise sales, and cross-media collaborations.
Action/Adventure, Fantasy/Sci-Fi, Romance/Drama, and Comedy are among the most popular genres, attracting diverse age groups and generating high engagement.
Anime is distributed through television broadcasts, cinema/theatrical releases, online streaming platforms (OTT), and physical media such as DVDs and Blu-rays.
| 1. Executive Summary |
| 2. Global Anime Market Introduction |
| 2.1.Global Anime Market - Taxonomy |
| 2.2.Global Anime Market - Definitions |
| 2.2.1.Genre |
| 2.2.2.End User |
| 2.2.3.Distribution Channel |
| 2.2.4.Region |
| 3. Global Anime Market Dynamics |
| 3.1. Drivers |
| 3.2. Restraints |
| 3.3. Opportunities/Unmet Needs of the Market |
| 3.4. Trends |
| 3.5. Product Landscape |
| 3.6. New Product Launches |
| 3.7. Impact of COVID 19 on Market |
| 4. Global Anime Market Analysis, 2020 - 2024 and Forecast 2025 - 2031 |
| 4.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) |
| 4.3. Market Opportunity Analysis |
| 5. Global Anime Market By Genre, 2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 5.1. Action/Adventure |
| 5.1.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 5.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.1.3. Market Opportunity Analysis |
| 5.2. Fantasy/Sci-Fi |
| 5.2.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 5.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.2.3. Market Opportunity Analysis |
| 5.3. Romance/Drama |
| 5.3.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 5.3.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.3.3. Market Opportunity Analysis |
| 5.4. Comedy |
| 5.4.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 5.4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.4.3. Market Opportunity Analysis |
| 5.5. Horror/Thriller |
| 5.5.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 5.5.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.5.3. Market Opportunity Analysis |
| 5.6. Sports |
| 5.6.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 5.6.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.6.3. Market Opportunity Analysis |
| 5.7. Others |
| 5.7.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 5.7.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.7.3. Market Opportunity Analysis |
| 6. Global Anime Market By End User, 2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 6.1. Children |
| 6.1.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 6.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 6.1.3. Market Opportunity Analysis |
| 6.2. Teenagers |
| 6.2.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 6.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 6.2.3. Market Opportunity Analysis |
| 6.3. Young Adults |
| 6.3.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 6.3.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 6.3.3. Market Opportunity Analysis |
| 6.4. Adults |
| 6.4.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 6.4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 6.4.3. Market Opportunity Analysis |
| 7. Global Anime Market By Distribution Channel, 2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 7.1. Television Broadcast |
| 7.1.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 7.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.1.3. Market Opportunity Analysis |
| 7.2. Cinema/Theatrical Releases |
| 7.2.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 7.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.2.3. Market Opportunity Analysis |
| 7.3. Online Streaming Platforms (OTT) |
| 7.3.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 7.3.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.3.3. Market Opportunity Analysis |
| 7.4. Others |
| 7.4.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 7.4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.4.3. Market Opportunity Analysis |
| 8. Global Anime Market By Region, 2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 8.1. North America |
| 8.1.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 8.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 8.1.3. Market Opportunity Analysis |
| 8.2. Europe |
| 8.2.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 8.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 8.2.3. Market Opportunity Analysis |
| 8.3. Asia Pacific (APAC) |
| 8.3.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 8.3.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 8.3.3. Market Opportunity Analysis |
| 8.4. Middle East and Africa (MEA) |
| 8.4.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 8.4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 8.4.3. Market Opportunity Analysis |
| 8.5. Latin America |
| 8.5.1. Market Analysis, 2020 - 2024 and Forecast, 2025 - 2031, (Sales Value USD Million) |
| 8.5.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 8.5.3. Market Opportunity Analysis |
| 9. North America Anime Market ,2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 9.1. Genre Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 9.1.1.Action/Adventure |
| 9.1.2.Fantasy/Sci-Fi |
| 9.1.3.Romance/Drama |
| 9.1.4.Comedy |
| 9.1.5.Horror/Thriller |
| 9.1.6.Sports |
| 9.1.7.Others |
| 9.2. End User Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 9.2.1.Children |
| 9.2.2.Teenagers |
| 9.2.3.Young Adults |
| 9.2.4.Adults |
| 9.3. Distribution Channel Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 9.3.1.Television Broadcast |
| 9.3.2.Cinema/Theatrical Releases |
| 9.3.3.Online Streaming Platforms (OTT) |
| 9.3.4.Others |
| 9.4. Country Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 9.4.1.United States of America (USA) |
| 9.4.2.Canada |
| 10. Europe Anime Market ,2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 10.1. Genre Analysis and Forecast by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 10.1.1.Action/Adventure |
| 10.1.2.Fantasy/Sci-Fi |
| 10.1.3.Romance/Drama |
| 10.1.4.Comedy |
| 10.1.5.Horror/Thriller |
| 10.1.6.Sports |
| 10.1.7.Others |
| 10.2. End User Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 10.2.1.Children |
| 10.2.2.Teenagers |
| 10.2.3.Young Adults |
| 10.2.4.Adults |
| 10.3. Distribution Channel Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 10.3.1.Television Broadcast |
| 10.3.2.Cinema/Theatrical Releases |
| 10.3.3.Online Streaming Platforms (OTT) |
| 10.3.4.Others |
| 10.4. Country Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 10.4.1.Germany |
| 10.4.2.France |
| 10.4.3.Italy |
| 10.4.4.United Kingdom (UK) |
| 10.4.5.Spain |
| 11. Asia Pacific (APAC) Anime Market ,2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 11.1. Genre Analysis and Forecast by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 11.1.1.Action/Adventure |
| 11.1.2.Fantasy/Sci-Fi |
| 11.1.3.Romance/Drama |
| 11.1.4.Comedy |
| 11.1.5.Horror/Thriller |
| 11.1.6.Sports |
| 11.1.7.Others |
| 11.2. End User Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 11.2.1.Children |
| 11.2.2.Teenagers |
| 11.2.3.Young Adults |
| 11.2.4.Adults |
| 11.3. Distribution Channel Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 11.3.1.Television Broadcast |
| 11.3.2.Cinema/Theatrical Releases |
| 11.3.3.Online Streaming Platforms (OTT) |
| 11.3.4.Others |
| 11.4. Country Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 11.4.1.China |
| 11.4.2.India |
| 11.4.3.Australia and New Zealand (ANZ) |
| 11.4.4.Japan |
| 11.4.5.Rest of APAC |
| 12. Middle East and Africa (MEA) Anime Market ,2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 12.1. Genre Analysis and Forecast by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 12.1.1.Action/Adventure |
| 12.1.2.Fantasy/Sci-Fi |
| 12.1.3.Romance/Drama |
| 12.1.4.Comedy |
| 12.1.5.Horror/Thriller |
| 12.1.6.Sports |
| 12.1.7.Others |
| 12.2. End User Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 12.2.1.Children |
| 12.2.2.Teenagers |
| 12.2.3.Young Adults |
| 12.2.4.Adults |
| 12.3. Distribution Channel Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 12.3.1.Television Broadcast |
| 12.3.2.Cinema/Theatrical Releases |
| 12.3.3.Online Streaming Platforms (OTT) |
| 12.3.4.Others |
| 12.4. Country Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 12.4.1.GCC Countries |
| 12.4.2.South Africa |
| 12.4.3.Rest of MEA |
| 13. Latin America Anime Market ,2020 - 2024 and Forecast 2025 - 2031 (Sales Value USD Million) |
| 13.1. Genre Analysis and Forecast by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 13.1.1.Action/Adventure |
| 13.1.2.Fantasy/Sci-Fi |
| 13.1.3.Romance/Drama |
| 13.1.4.Comedy |
| 13.1.5.Horror/Thriller |
| 13.1.6.Sports |
| 13.1.7.Others |
| 13.2. End User Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 13.2.1.Children |
| 13.2.2.Teenagers |
| 13.2.3.Young Adults |
| 13.2.4.Adults |
| 13.3. Distribution Channel Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 13.3.1.Television Broadcast |
| 13.3.2.Cinema/Theatrical Releases |
| 13.3.3.Online Streaming Platforms (OTT) |
| 13.3.4.Others |
| 13.4. Country Analysis 2020 - 2024 and Forecast 2025 - 2031 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 13.4.1.Brazil |
| 13.4.2.Mexico |
| 13.4.3.Rest of LA |
| 14. Competition Landscape |
| 14.1. Market Player Profiles (Introduction, Brand/Product Sales, Financial Analysis, Product Offerings, Key Developments, Collaborations, M & A, Strategies, and SWOT Analysis) |
| 14.2.1.Toei Animation |
| 14.2.2.Studio Ghibli |
| 14.2.3.Bandai Namco Arts |
| 14.2.4.Aniplex |
| 14.2.5.Sunrise Inc. |
| 14.2.6.Funimation (Crunchyroll, under Sony) |
| 14.2.7.Kyoto Animation |
| 14.2.8.Pierrot Co. Ltd. |
| 14.2.9.Kadokawa Corporation |
| 14.2.10.Madhouse Inc. |
| 15. Research Methodology |
| 16. Appendix and Abbreviations |
Key Market Players
Author
Sravani is a proficient Business Analyst with an MBA and a background in Computer Science, with seven years of experience in the field of market research. Sravani is adept at creating competitive evaluations, precise market estimations, and market projections, emphasizing the food and beverage and information and communication technology (ICT) industries. Her areas of competence are identifying important players, projecting market trends, and assessing the potential for industry growth. She applies a strong analytical approach to provide precise market estimates and thorough industry analysis, empowering organizations to make data-driven decisions. Sravani's estimating and forecasting abilities are essential for businesses to take advantage of new opportunities and effectively manage dynamic market environments.