Music Publishing Market: By Royalties, Digital Royalties/Online, and Mechanical Royalties), By Application, and Region Forecast 2021-2032

Music Publishing Market Size, Share, Growth, Trends, and Global Industry Analysis: By Royalties (Performance Royalties, Synchronization Royalties (TV RADIO), Digital Royalties/Online, and Mechanical Royalties), By Application (Commercial, and Commonwealth), and Region Forecast 2021-2032

Report ID:41000

Published Date:Jan 2026

No of Pages:218

Format:

Music Publishing Market size was valued at US$ 18,662.6 million in 2025 and is expected to reach US$ 38,019.4 million by 2032, growing at a significant CAGR of 10.7% from 2026-2032. Moreover, in the USA, the Music Publishing Market is projected to reach US$ 16,822.8 million by 2031, growing at a CAGR of 13.47% from 2025-2031.

Music publishing is the business of managing and monetizing the copyright in musical compositions, the lyrics and melodies written by songwriters and composers. It ensures that creators are paid when their music is used publicly, whether through streaming, radio and television broadcasts, live performances, films, commercials, video games, or digital platforms. Publishers register works with performing rights organizations (PROs), negotiate licenses, collect royalties, and distribute earnings to rights holders while safeguarding intellectual property worldwide.

The music publishing industry generates revenue through performance, mechanical, synchronization, and print royalties, each tied to specific uses of a composition. Performance royalties alone are significant: for example, U.S. PRO ASCAP reported record revenue of $1.835 billion in 2024, with $1.696 billion distributed to songwriters and publishers. European PRO PRS for Music collected over £1.15 billion (~$1.46 billion) in 2024, driven by strong online royalty growth. With the rise of streaming services and digital content, music publishing has become increasingly international, and data driven. Efficient rights management and global licensing frameworks support continued growth, making publishing a vital revenue engine in the global music industry. However, the music publishing sector continues to face challenges, including complex royalty transparency, delays in cross-border royalty collections, inconsistent copyright enforcement across regions, and growing disputes over digital payout rates. The rapid growth of user-generated content and AI-assisted music creation further complicates rights tracking and ownership attribution, creating ongoing operational and legal pressures for publishers and songwriters alike.

Key Takeaways

  • High-value agreements in advertising, film/TV, and branded digital content continue to drive publishing revenues because synchronized placements command strong fees.
  • ASCAP served as a major performance rights organization, highlighting strength in performance royalty collections.
  • Advances in rights-tracking tools, automated matching systems, and data analytics are improving royalty transparency and collection accuracy, helping publishers capture previously uncollected usage.

Facts & Figures

  • IFPI reported that total recorded music revenues reached US$ 29.6 billion in 2024, marking the tenth consecutive year of growth and reflecting the ongoing expansion of digital formats.
  • Streaming continued to dominate the global music market — 69% of recorded music revenues were from streaming in 2024.
  • ASCAP delivered US$ 1.835 billion in revenue in 2024, the highest amount reported to date, with the majority distributed as royalties to songwriters and publishers.
  • IFPI data showed Latin America and MENA regions posting double-digit revenue growth in 2024 while digital formats continued dominating.

Key Developments

  • In December 2025, UMG is navigating regulatory challenges in its $775 million acquisition of Downtown Music, including proposed divestments around royalty services to address competition concerns.
  • In December 2025, The Weeknd closed a major catalog partnership with Lyric Capital Group valued around US$ 1 billion, structuring investment into his publishing rights while retaining creative control.
  • In November 2025, Sony Music Publishing acquired a significant stake in Finland’s Elements Music, creating a long-term creative partnership linking the Finnish catalog to SMP’s global operations.
  • In October 2025, Global independent music company Believe launched “Believe Music Publishing”, expanding into publishing services with a team of ~160 experts and integrating Sentric’s capabilities to offer global creative, sync, and royalty support.
  • In September 2025, Reservoir Media acquired the publishing catalog of jazz legend Miles Davis, adding major historical repertoire to its publishing assets.
  • In September 2025, Sony Music and Spotify announced updated direct licensing arrangements that include expanded publishing rights terms, marking an important development in digital publishing monetization.

Based on the Royalties

  • Performance Royalties
  • Synchronization Royalties (TV RADIO)
  • Digital Royalties/Online
  • Mechanical Royalties

Performance royalties represent the dominant segment in music publishing, driven by extensive public use of music across radio, television, live events, and digital platforms. ASCAP reported record revenues of US$ 1.83 billion in 2024, highlighting the scale and consistency of performance-based royalty generation supported by global PRO networks.

Based on the Application 

  • Commercial
  • Commonwealth

The Commercial segment dominates the music publishing market, driven by strong performance and synchronization usage in advertising, TV, film, and digital media. In 2024, US music publishing revenues grew 13.4% to about $7 billion, reflecting high commercial licensing demand and accelerated royalty collection in mature markets.

Music Publishing Market Summary

Study Period

2026-2032

Base Year

2025

CAGR

10.7%

Largest Market

North-America

Fastest Growing Market

Europe

Music Publishing Market Dynamics

Drivers

The growth of the music publishing market is primarily driven by the rapid expansion of digital music consumption and global content creation. According to the IFPI Global Music Report, streaming accounted for over 67% of global recorded music revenues in 2023, significantly increasing performance and mechanical royalty generation for publishers. Platforms such as Spotify, which reported over 600 million monthly active users globally in 2024, and YouTube, with more than 2 billion logged-in users, continue to expand the monetization of musical works. Rising demand for music in films, television, advertising, and gaming has strengthened synchronization income, supported by record content spending from major studios and streaming platforms. Social media platforms such as TikTok, with over 1 billion active users, have further accelerated music discovery and global repertoire exploitation. Improved copyright enforcement and licensing efficiency are also key drivers, as demonstrated by ASCAP’s record USD 1.83 billion in revenue in 2024 and PRS for Music’s collections exceeding GBP 1.15 billion, reflecting stronger royalty flows. In addition, the recovery of live events highlighted by Live Nation’s USD 22 billion revenue in 2023 has reinforced performance royalty growth, supporting sustained expansion of the music publishing ecosystem.

Restraints

The music publishing market faces several structural and operational restraints, despite strong growth drivers. One of the key challenges is royalty transparency and delayed payments, particularly for cross-border digital usage. According to CISAC, international royalty distributions can take 12–24 months in some markets due to fragmented licensing and reporting systems. In addition, low per-stream payout rates remain a concern; Spotify has publicly stated that it pays rights holders roughly USD 0.003–0.005 per stream, placing pressure on publishers to rely on scale rather than yield. The rapid rise of user-generated content platforms has further complicated rights identification, with YouTube reporting over 500 hours of video uploaded every minute, making accurate tracking and monetization challenging. Copyright enforcement remains inconsistent across regions, especially in emerging markets, limiting royalty recovery. Moreover, the growth of AI-generated music has introduced legal uncertainty around ownership and copyright eligibility, prompting warnings from organizations such as PRS for Music and ASCAP. Rising administrative costs, complex licensing negotiations, and ongoing disputes between platforms and rights holders continue to constrain revenue optimization within the global music publishing ecosystem.

Opportunities

The music publishing market presents significant long-term growth opportunities, driven by digital expansion, emerging markets, and new monetization models. The continued rise of paid music streaming is a major opportunity, with Spotify reporting over 236 million premium subscribers in 2024, increasing recurring mechanical and performance royalties. Short-form video and social platforms also offer strong upside; TikTok, with more than 1 billion monthly active users, has become a key driver of global music discovery, boosting catalog longevity and cross-border royalty flows. Emerging markets such as India, Latin America, Africa, and Southeast Asia are witnessing rapid growth in streaming adoption, supported by affordable data plans and smartphone penetration. Synchronization licensing remains another high-value opportunity, as global spending on film, OTT content, gaming, and advertising continues to rise, increasing demand for licensed music. In addition, the growing interest in music catalog acquisitions, highlighted by multi-billion-dollar investments from institutional investors and major publishers, underscores the long-term value of publishing assets. Advancements in data analytics and rights management technology further enable publishers to improve royalty accuracy, uncover under-monetized works, and expand global revenue streams.

Trends

The music publishing industry is increasingly shaped by scale, data, and global licensing efficiency. One major trend is the record growth in royalty collections, reflecting improved monetization, driven largely by digital and cross-border usage. Another key trend is the rising importance of synchronization licensing, as global content production accelerates, Netflix alone spent over USD 17 billion on content in 2023, creating sustained demand for licensed music in films, series, and documentaries. The industry is also witnessing a shift toward emerging-market consumption, with IFPI confirming that Asia, Latin America, and Africa were among the fastest-growing music regions by revenue growth. In addition, music catalog investment remains strong, with major publishers and funds continuing to deploy capital into long-term rights ownership as a stable cash-flow asset. Technological transformation is another defining trend, as publishers adopt automated matching, fingerprinting, and rights databases to improve royalty accuracy. Finally, the growing impact of artificial intelligence in music creation is prompting publishers and collecting societies to push for clearer copyright frameworks, reshaping how future compositions are licensed and protected.

Music Publishing Market Segmentation Analysis

Report Benchmarks

Details

Report Study Period

2026-2032

Market Size in 2024

US$ 29.6 billion

Market Size in 2031

US$ 16,822.8 million

Market CAGR

10.7%

By Royalties

  • Performance Royalties
  • Synchronization Royalties (TV RADIO)
  • Digital Royalties/Online
  • Mechanical Royalties

By Application

  • Commercial
  • Commonwealth

By Region

  • North America
  • Europe
  • Asia-Pacific
  • Latin America
  • Middle East & Africa

Analyst Review

The global music publishing market continues to demonstrate strong structural resilience, supported by accelerating digital consumption, expanding commercial licensing, and improving royalty collection efficiency. Streaming-led growth remains a central pillar, with digital platforms driving higher performance, mechanical, and synchronization income, while record collections by organizations such as ASCAP and PRS for Music underline the robustness of publishing cash flows. The dominance of commercial applications particularly advertising, film, television, gaming, and branded digital content reinforces publishing’s role as a high-margin, long-term revenue engine within the broader music ecosystem. North America retains its leadership due to scale, high-value synchronization deals, and mature rights infrastructure, while Europe provides stable, recurring income through strong collective management systems. Asia-Pacific, Latin America, and MEA are emerging as key growth frontiers, benefiting from rapid streaming adoption, local content expansion, and improving copyright awareness. At the same time, the industry faces meaningful challenges, including royalty transparency, cross-border payment delays, low per-stream economics, and rising complexity from user-generated and AI-assisted content. Overall, sustained investment in technology, data-driven rights management, and catalog acquisitions positions music publishing as an attractive, long-duration asset class, with growth increasingly diversified across geographies and revenue streams.

Key Features of the Report

  • The music publishing market report provides granular level information about the market size, regional market share, historic market (2021-2025), and forecast (2026-2032)
  • The report covers in-detail insights about the competitors overview, company share analysis, key market developments, and their key strategies
  • The report outlines drivers, restraints, unmet needs, and trends that are currently affecting the market
  • The report tracks recent innovations, key developments, and start-up details that are actively working in the market
  • The report provides a plethora of information about market entry strategies, regulatory framework, and reimbursement scenario
  • The report analyses the impact of socio-political environment through PESTLE Analysis and competition through Porters Five Force Analysis

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Frequently Asked Questions

Music Publishing Market is expected to reach US$ 38,019.4 billion by 2032, growing at a significant CAGR of 10.7% from 2026-2032.

The report covers the five regions and 15+ countries market data: North America (United States, Canada), Europe (Germany, France, Italy, Spain, and United Kingdom (UK), Asia Pacific (China, India, Japan, Australia & New Zealand), Latin America (Brazil, Mexico, Argentina) and Middle East and Africa (Saudi Arabia, United Arab Emirates, South Africa).

Sony Music Publishing, Universal Music Group, Warner Music Group, BMG Rights Management, Kobalt Music,, peermusic, Round Hill Music, Pulse Music Group, Downtown Music Services

• Growth of Streaming Platforms
• Rising Demand for Music in Audiovisual Content
• Expansion of Social Media and Short-Form Video Platforms

• Expansion of Paid Streaming
• Rising Synchronization Demand
• Growth of Short-Form and User-Generated Content

Content Updated Date: Feb 2026

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Author

Sravani

Sravani is a proficient Business Analyst with an MBA and a background in Computer Science, with seven years of expe.....

1. Executive Summary
2. Global Music Publishing Market Introduction 
2.1.Global Music Publishing Market  - Taxonomy
2.2.Global Music Publishing Market  - Definitions
2.2.1.Royalties
2.2.2.Application
2.2.3.Region
3. Global Music Publishing Market Dynamics
3.1. Drivers
3.2. Restraints
3.3. Opportunities/Unmet Needs of the Market
3.4. Trends
3.5. Product Landscape
3.6. New Product Launches
3.7. Impact of COVID 19 on Market
4. Global Music Publishing Market Analysis, 2021 - 2025 and Forecast 2026 - 2032
4.1.  Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
4.2.  Year-Over-Year (Y-o-Y) Growth Analysis (%) 
4.3.  Market Opportunity Analysis 
5. Global Music Publishing Market  By Royalties, 2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million)
5.1. Performance Royalties
5.1.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
5.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
5.1.3. Market Opportunity Analysis 
5.2. Synchronization Royalties (TV RADIO)
5.2.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
5.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
5.2.3. Market Opportunity Analysis 
5.3. Digital Royalties/Online
5.3.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
5.3.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
5.3.3. Market Opportunity Analysis 
5.4. Mechanical Royalties
5.4.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
5.4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
5.4.3. Market Opportunity Analysis 
6. Global Music Publishing Market  By Application, 2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million)
6.1. Commercial
6.1.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
6.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
6.1.3. Market Opportunity Analysis 
6.2. Commonwealth
6.2.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
6.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
6.2.3. Market Opportunity Analysis 
7. Global Music Publishing Market  By Region, 2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million)
7.1. North America
7.1.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
7.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
7.1.3. Market Opportunity Analysis 
7.2. Europe
7.2.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
7.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
7.2.3. Market Opportunity Analysis 
7.3. Asia Pacific (APAC)
7.3.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
7.3.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
7.3.3. Market Opportunity Analysis 
7.4. Middle East and Africa (MEA)
7.4.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
7.4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
7.4.3. Market Opportunity Analysis 
7.5. Latin America
7.5.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million)
7.5.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) 
7.5.3. Market Opportunity Analysis 
8. North America Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million)
8.1. Royalties Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
8.1.1.Performance Royalties
8.1.2.Synchronization Royalties (TV RADIO)
8.1.3.Digital Royalties/Online
8.1.4.Mechanical Royalties
8.2.  Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
8.2.1.Commercial
8.2.2.Commonwealth
8.3.  Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
8.3.1.United States of America (USA)
8.3.2.Canada
9. Europe Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million)
9.1. Royalties Analysis  and Forecast  by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
9.1.1.Performance Royalties
9.1.2.Synchronization Royalties (TV RADIO)
9.1.3.Digital Royalties/Online
9.1.4.Mechanical Royalties
9.2.  Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
9.2.1.Commercial
9.2.2.Commonwealth
9.3.  Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
9.3.1.Germany
9.3.2.France
9.3.3.Italy
9.3.4.United Kingdom (UK)
9.3.5.Spain
10. Asia Pacific (APAC) Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million)
10.1. Royalties Analysis  and Forecast  by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
10.1.1.Performance Royalties
10.1.2.Synchronization Royalties (TV RADIO)
10.1.3.Digital Royalties/Online
10.1.4.Mechanical Royalties
10.2.  Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
10.2.1.Commercial
10.2.2.Commonwealth
10.3.  Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
10.3.1.China
10.3.2.India
10.3.3.Australia and New Zealand (ANZ)
10.3.4.Japan
10.3.5.Rest of APAC
11. Middle East and Africa (MEA) Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million)
11.1. Royalties Analysis  and Forecast  by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
11.1.1.Performance Royalties
11.1.2.Synchronization Royalties (TV RADIO)
11.1.3.Digital Royalties/Online
11.1.4.Mechanical Royalties
11.2.  Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
11.2.1.Commercial
11.2.2.Commonwealth
11.3.  Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
11.3.1.GCC Countries
11.3.2.South Africa
11.3.3.Rest of MEA
12.Latin America Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million)
12.1. Royalties Analysis  and Forecast  by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
12.1.1.Performance Royalties
12.1.2.Synchronization Royalties (TV RADIO)
12.1.3.Digital Royalties/Online
12.1.4.Mechanical Royalties
12.2.  Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
12.2.1.Commercial
12.2.2.Commonwealth
12.3.  Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) 
12.3.1.Brazil
12.3.2.Mexico
12.3.3.Rest of LA
13. Competition Landscape
13.1.  Market Player Profiles (Introduction, Brand/Product Sales, Financial Analysis, Product Offerings, Key Developments, Collaborations, M & A, Strategies, and SWOT Analysis) 
13.2.1.Sony Music Publishing
13.2.2.Universal Music Group
13.2.3.Warner Music Group
13.2.4.BMG Rights Management
13.2.5.Kobalt Music
13.2.6.peermusic
13.2.7.Round Hill Music
13.2.8.Pulse Music Group
13.2.9.Downtown Music Services
14. Research Methodology 
15. Appendix and Abbreviations 

Key Market Players

  • Sony Music Publishing
  • Universal Music Group
  • Warner Music Group
  • BMG Rights Management
  • Kobalt Music
  • peermusic
  • Round Hill Music
  • Pulse Music Group
  • Downtown Music Services

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