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Music Publishing Market: By Royalties, Digital Royalties/Online, and Mechanical Royalties), By Application, and Region Forecast 2021-2032
Music Publishing Market size was valued at US$ 18,662.6 million in 2025 and is expected to reach US$ 38,019.4 million by 2032, growing at a significant CAGR of 10.7% from 2026-2032. Moreover, in the USA, the Music Publishing Market is projected to reach US$ 16,822.8 million by 2031, growing at a CAGR of 13.47% from 2025-2031.
Music publishing is the business of managing and monetizing the copyright in musical compositions, the lyrics and melodies written by songwriters and composers. It ensures that creators are paid when their music is used publicly, whether through streaming, radio and television broadcasts, live performances, films, commercials, video games, or digital platforms. Publishers register works with performing rights organizations (PROs), negotiate licenses, collect royalties, and distribute earnings to rights holders while safeguarding intellectual property worldwide.
The music publishing industry generates revenue through performance, mechanical, synchronization, and print royalties, each tied to specific uses of a composition. Performance royalties alone are significant: for example, U.S. PRO ASCAP reported record revenue of $1.835 billion in 2024, with $1.696 billion distributed to songwriters and publishers. European PRO PRS for Music collected over £1.15 billion (~$1.46 billion) in 2024, driven by strong online royalty growth. With the rise of streaming services and digital content, music publishing has become increasingly international, and data driven. Efficient rights management and global licensing frameworks support continued growth, making publishing a vital revenue engine in the global music industry. However, the music publishing sector continues to face challenges, including complex royalty transparency, delays in cross-border royalty collections, inconsistent copyright enforcement across regions, and growing disputes over digital payout rates. The rapid growth of user-generated content and AI-assisted music creation further complicates rights tracking and ownership attribution, creating ongoing operational and legal pressures for publishers and songwriters alike.
Based on the Royalties
Performance royalties represent the dominant segment in music publishing, driven by extensive public use of music across radio, television, live events, and digital platforms. ASCAP reported record revenues of US$ 1.83 billion in 2024, highlighting the scale and consistency of performance-based royalty generation supported by global PRO networks.
Based on the Application
The Commercial segment dominates the music publishing market, driven by strong performance and synchronization usage in advertising, TV, film, and digital media. In 2024, US music publishing revenues grew 13.4% to about $7 billion, reflecting high commercial licensing demand and accelerated royalty collection in mature markets.
Study Period
2026-2032Base Year
2025CAGR
10.7%Largest Market
North-AmericaFastest Growing Market
Europe
The growth of the music publishing market is primarily driven by the rapid expansion of digital music consumption and global content creation. According to the IFPI Global Music Report, streaming accounted for over 67% of global recorded music revenues in 2023, significantly increasing performance and mechanical royalty generation for publishers. Platforms such as Spotify, which reported over 600 million monthly active users globally in 2024, and YouTube, with more than 2 billion logged-in users, continue to expand the monetization of musical works. Rising demand for music in films, television, advertising, and gaming has strengthened synchronization income, supported by record content spending from major studios and streaming platforms. Social media platforms such as TikTok, with over 1 billion active users, have further accelerated music discovery and global repertoire exploitation. Improved copyright enforcement and licensing efficiency are also key drivers, as demonstrated by ASCAP’s record USD 1.83 billion in revenue in 2024 and PRS for Music’s collections exceeding GBP 1.15 billion, reflecting stronger royalty flows. In addition, the recovery of live events highlighted by Live Nation’s USD 22 billion revenue in 2023 has reinforced performance royalty growth, supporting sustained expansion of the music publishing ecosystem.
The music publishing market faces several structural and operational restraints, despite strong growth drivers. One of the key challenges is royalty transparency and delayed payments, particularly for cross-border digital usage. According to CISAC, international royalty distributions can take 12–24 months in some markets due to fragmented licensing and reporting systems. In addition, low per-stream payout rates remain a concern; Spotify has publicly stated that it pays rights holders roughly USD 0.003–0.005 per stream, placing pressure on publishers to rely on scale rather than yield. The rapid rise of user-generated content platforms has further complicated rights identification, with YouTube reporting over 500 hours of video uploaded every minute, making accurate tracking and monetization challenging. Copyright enforcement remains inconsistent across regions, especially in emerging markets, limiting royalty recovery. Moreover, the growth of AI-generated music has introduced legal uncertainty around ownership and copyright eligibility, prompting warnings from organizations such as PRS for Music and ASCAP. Rising administrative costs, complex licensing negotiations, and ongoing disputes between platforms and rights holders continue to constrain revenue optimization within the global music publishing ecosystem.
The music publishing market presents significant long-term growth opportunities, driven by digital expansion, emerging markets, and new monetization models. The continued rise of paid music streaming is a major opportunity, with Spotify reporting over 236 million premium subscribers in 2024, increasing recurring mechanical and performance royalties. Short-form video and social platforms also offer strong upside; TikTok, with more than 1 billion monthly active users, has become a key driver of global music discovery, boosting catalog longevity and cross-border royalty flows. Emerging markets such as India, Latin America, Africa, and Southeast Asia are witnessing rapid growth in streaming adoption, supported by affordable data plans and smartphone penetration. Synchronization licensing remains another high-value opportunity, as global spending on film, OTT content, gaming, and advertising continues to rise, increasing demand for licensed music. In addition, the growing interest in music catalog acquisitions, highlighted by multi-billion-dollar investments from institutional investors and major publishers, underscores the long-term value of publishing assets. Advancements in data analytics and rights management technology further enable publishers to improve royalty accuracy, uncover under-monetized works, and expand global revenue streams.
The music publishing industry is increasingly shaped by scale, data, and global licensing efficiency. One major trend is the record growth in royalty collections, reflecting improved monetization, driven largely by digital and cross-border usage. Another key trend is the rising importance of synchronization licensing, as global content production accelerates, Netflix alone spent over USD 17 billion on content in 2023, creating sustained demand for licensed music in films, series, and documentaries. The industry is also witnessing a shift toward emerging-market consumption, with IFPI confirming that Asia, Latin America, and Africa were among the fastest-growing music regions by revenue growth. In addition, music catalog investment remains strong, with major publishers and funds continuing to deploy capital into long-term rights ownership as a stable cash-flow asset. Technological transformation is another defining trend, as publishers adopt automated matching, fingerprinting, and rights databases to improve royalty accuracy. Finally, the growing impact of artificial intelligence in music creation is prompting publishers and collecting societies to push for clearer copyright frameworks, reshaping how future compositions are licensed and protected.
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Report Benchmarks |
Details |
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Report Study Period |
2026-2032 |
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Market Size in 2024 |
US$ 29.6 billion |
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Market Size in 2031 |
US$ 16,822.8 million |
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Market CAGR |
10.7% |
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By Royalties |
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By Application |
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By Region |
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The global music publishing market continues to demonstrate strong structural resilience, supported by accelerating digital consumption, expanding commercial licensing, and improving royalty collection efficiency. Streaming-led growth remains a central pillar, with digital platforms driving higher performance, mechanical, and synchronization income, while record collections by organizations such as ASCAP and PRS for Music underline the robustness of publishing cash flows. The dominance of commercial applications particularly advertising, film, television, gaming, and branded digital content reinforces publishing’s role as a high-margin, long-term revenue engine within the broader music ecosystem. North America retains its leadership due to scale, high-value synchronization deals, and mature rights infrastructure, while Europe provides stable, recurring income through strong collective management systems. Asia-Pacific, Latin America, and MEA are emerging as key growth frontiers, benefiting from rapid streaming adoption, local content expansion, and improving copyright awareness. At the same time, the industry faces meaningful challenges, including royalty transparency, cross-border payment delays, low per-stream economics, and rising complexity from user-generated and AI-assisted content. Overall, sustained investment in technology, data-driven rights management, and catalog acquisitions positions music publishing as an attractive, long-duration asset class, with growth increasingly diversified across geographies and revenue streams.
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Music Publishing Market is expected to reach US$ 38,019.4 billion by 2032, growing at a significant CAGR of 10.7% from 2026-2032.
The report covers the five regions and 15+ countries market data: North America (United States, Canada), Europe (Germany, France, Italy, Spain, and United Kingdom (UK), Asia Pacific (China, India, Japan, Australia & New Zealand), Latin America (Brazil, Mexico, Argentina) and Middle East and Africa (Saudi Arabia, United Arab Emirates, South Africa).
Sony Music Publishing, Universal Music Group, Warner Music Group, BMG Rights Management, Kobalt Music,, peermusic, Round Hill Music, Pulse Music Group, Downtown Music Services
• Growth of Streaming Platforms
• Rising Demand for Music in Audiovisual Content
• Expansion of Social Media and Short-Form Video Platforms
• Expansion of Paid Streaming
• Rising Synchronization Demand
• Growth of Short-Form and User-Generated Content
Content Updated Date: Feb 2026
| 1. Executive Summary |
| 2. Global Music Publishing Market Introduction |
| 2.1.Global Music Publishing Market - Taxonomy |
| 2.2.Global Music Publishing Market - Definitions |
| 2.2.1.Royalties |
| 2.2.2.Application |
| 2.2.3.Region |
| 3. Global Music Publishing Market Dynamics |
| 3.1. Drivers |
| 3.2. Restraints |
| 3.3. Opportunities/Unmet Needs of the Market |
| 3.4. Trends |
| 3.5. Product Landscape |
| 3.6. New Product Launches |
| 3.7. Impact of COVID 19 on Market |
| 4. Global Music Publishing Market Analysis, 2021 - 2025 and Forecast 2026 - 2032 |
| 4.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) |
| 4.3. Market Opportunity Analysis |
| 5. Global Music Publishing Market By Royalties, 2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million) |
| 5.1. Performance Royalties |
| 5.1.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 5.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.1.3. Market Opportunity Analysis |
| 5.2. Synchronization Royalties (TV RADIO) |
| 5.2.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 5.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.2.3. Market Opportunity Analysis |
| 5.3. Digital Royalties/Online |
| 5.3.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 5.3.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.3.3. Market Opportunity Analysis |
| 5.4. Mechanical Royalties |
| 5.4.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 5.4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 5.4.3. Market Opportunity Analysis |
| 6. Global Music Publishing Market By Application, 2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million) |
| 6.1. Commercial |
| 6.1.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 6.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 6.1.3. Market Opportunity Analysis |
| 6.2. Commonwealth |
| 6.2.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 6.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 6.2.3. Market Opportunity Analysis |
| 7. Global Music Publishing Market By Region, 2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million) |
| 7.1. North America |
| 7.1.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 7.1.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.1.3. Market Opportunity Analysis |
| 7.2. Europe |
| 7.2.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 7.2.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.2.3. Market Opportunity Analysis |
| 7.3. Asia Pacific (APAC) |
| 7.3.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 7.3.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.3.3. Market Opportunity Analysis |
| 7.4. Middle East and Africa (MEA) |
| 7.4.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 7.4.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.4.3. Market Opportunity Analysis |
| 7.5. Latin America |
| 7.5.1. Market Analysis, 2021 - 2025 and Forecast, 2026 - 2032, (Sales Value USD Million) |
| 7.5.2. Year-Over-Year (Y-o-Y) Growth Analysis (%) and Market Share Analysis (%) |
| 7.5.3. Market Opportunity Analysis |
| 8. North America Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million) |
| 8.1. Royalties Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 8.1.1.Performance Royalties |
| 8.1.2.Synchronization Royalties (TV RADIO) |
| 8.1.3.Digital Royalties/Online |
| 8.1.4.Mechanical Royalties |
| 8.2. Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 8.2.1.Commercial |
| 8.2.2.Commonwealth |
| 8.3. Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 8.3.1.United States of America (USA) |
| 8.3.2.Canada |
| 9. Europe Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million) |
| 9.1. Royalties Analysis and Forecast by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 9.1.1.Performance Royalties |
| 9.1.2.Synchronization Royalties (TV RADIO) |
| 9.1.3.Digital Royalties/Online |
| 9.1.4.Mechanical Royalties |
| 9.2. Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 9.2.1.Commercial |
| 9.2.2.Commonwealth |
| 9.3. Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 9.3.1.Germany |
| 9.3.2.France |
| 9.3.3.Italy |
| 9.3.4.United Kingdom (UK) |
| 9.3.5.Spain |
| 10. Asia Pacific (APAC) Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million) |
| 10.1. Royalties Analysis and Forecast by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 10.1.1.Performance Royalties |
| 10.1.2.Synchronization Royalties (TV RADIO) |
| 10.1.3.Digital Royalties/Online |
| 10.1.4.Mechanical Royalties |
| 10.2. Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 10.2.1.Commercial |
| 10.2.2.Commonwealth |
| 10.3. Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 10.3.1.China |
| 10.3.2.India |
| 10.3.3.Australia and New Zealand (ANZ) |
| 10.3.4.Japan |
| 10.3.5.Rest of APAC |
| 11. Middle East and Africa (MEA) Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million) |
| 11.1. Royalties Analysis and Forecast by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 11.1.1.Performance Royalties |
| 11.1.2.Synchronization Royalties (TV RADIO) |
| 11.1.3.Digital Royalties/Online |
| 11.1.4.Mechanical Royalties |
| 11.2. Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 11.2.1.Commercial |
| 11.2.2.Commonwealth |
| 11.3. Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 11.3.1.GCC Countries |
| 11.3.2.South Africa |
| 11.3.3.Rest of MEA |
| 12.Latin America Music Publishing Market ,2021 - 2025 and Forecast 2026 - 2032 (Sales Value USD Million) |
| 12.1. Royalties Analysis and Forecast by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 12.1.1.Performance Royalties |
| 12.1.2.Synchronization Royalties (TV RADIO) |
| 12.1.3.Digital Royalties/Online |
| 12.1.4.Mechanical Royalties |
| 12.2. Application Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 12.2.1.Commercial |
| 12.2.2.Commonwealth |
| 12.3. Country Analysis 2021 - 2025 and Forecast 2026 - 2032 by Sales Value USD Million, Y-o-Y Growth (%), and Market Share (%) |
| 12.3.1.Brazil |
| 12.3.2.Mexico |
| 12.3.3.Rest of LA |
| 13. Competition Landscape |
| 13.1. Market Player Profiles (Introduction, Brand/Product Sales, Financial Analysis, Product Offerings, Key Developments, Collaborations, M & A, Strategies, and SWOT Analysis) |
| 13.2.1.Sony Music Publishing |
| 13.2.2.Universal Music Group |
| 13.2.3.Warner Music Group |
| 13.2.4.BMG Rights Management |
| 13.2.5.Kobalt Music |
| 13.2.6.peermusic |
| 13.2.7.Round Hill Music |
| 13.2.8.Pulse Music Group |
| 13.2.9.Downtown Music Services |
| 14. Research Methodology |
| 15. Appendix and Abbreviations |
Key Market Players